Monday, August 26, 2013

Breaking Bad: ‘Confessions’

"Why don’t you just kill yourself?” – Marie Schrader
“He really did a number on you, didn’t he?” – Hank Schrader

Here’s a confession: I’m going to cry when Breaking Bad ends in 5 weeks. The attempt at a rare “perfect season” is still intact as we’re now three episodes in and have seen three masterpieces of television. Just when we thought that maybe this episode would be a bit of a breather for us after last week’s teaser had Hank going in to approach Jesse, presuming a long conversation between the two of them on the inner workings of the Heisenberg empire would cover 15 minutes worth of story, was instead reduced to Hank striking out in a matter of seconds before Saul Goodman busts up his party. Or possibly we would be privy to some tactical planning between all the parties involved before we hit any action sequences. Or heck maybe even Badger would come by and explain his theory about what really happened at Stonehenge.

But it seems that what Breaking Bad has intended for this final eight is to give at least a dozen people a heart attack before it’s all said and done by throwing one more intense scene at us after another. That’s how truly evil Walter White has become, he's actually affecting the health of people in the real world with this insanely awesome meth ride we’ve all been strapped into, with the final leg of this crystal blue coaster hidden from sight where literally anything can happen. Which makes the anticipation truly terrifying. It’s disturbing to be rooting for a guy that is continually one-upping himself in horrific acts time after time and it starts to bring into question our ability to empathize with the good in humanity. And yet here we are.

Watching Walt’s “confession” tape was gut wrenching. The looks on Hank and Marie’s faces were as shell-shocked as if they had gone to a Mexican restaurant and weren’t offered some table-side guacamole(*). The greatest part (worst part?) about that tape was how many elements were essentially true and could be almost impossible for Hank to argue otherwise. And kudos the show for having the tape be grainy and ominous making the situation seem that much more frightening for Hank, Marie, and all of us watching it. Put another notch in the “Dean Norris better get nominated for a supporting actor” column for this one, the devastation that he expressed when he found out Marie had accepted $177,000 to pay for his medical expenses really made it feel like Walt had knocked him out for good on this one.

(*)How hilarious was that scene in the restaurant between Hank, Walt, the Lambert sisters and Trent the interrupting waiter? I can only hope that Hank and Marie stuck around to try some of that guacamole so they had one final moment of enjoyment before witnessing the message from hell.

And while everything that transpired here between Walt and Hank would have justified this episode to be fantastic, it wasn’t even the most exhilarating part as Jesse finally gets to speak for the first time in what seems like a year. First, Walt tries one more time to play the protective father card on Jesse but as we saw in this season’s opener Jesse has become immune to his conniving ways and finally calls him out for it suggesting that if he doesn’t agree to disappear that Walt will shoot him just as he did Mike beforehand. And let’s just hope for Jesse’s sake that his new found anti-Walt-BS-meter won’t be his downfall. I’m not sure what to make of the Walt Jesse hug. Whether if it occurred because Walt truly does feel a little bad for what he’s put this poor kid through or if it was just him adapting to Jesse not believing his words anymore. Also, was Jesse crying because he knows Walt will never stop working him or because he finally just needed to break down and let it all out?

Either way, Jesse ultimately agrees to take advantage of Saul’s guy that makes people disappear by giving them new identities and even settles on Alaska as his destination of choice(**). But when Jess busts out some dope in Saul’s office prior to getting picked up, Saul has Huell pull the old switcheroo once again and swaps out the weed for a pack of cigarettes. Then finally, after tons of searching, Jesse finds that final puzzle piece and the picture of how Brock got poisoned is clear in its full entirety. And that’s the straw that broke the camel’s back. Jesse rightfully goes into a full on rage mode with the intent to put down this monster that has wreaked havoc on so many, maybe no one more so than him. First he delivers a well-deserved beating to Saul Goodman before grabbing Saul’s gun and having the episode end on a cliffhanger with him throwing gasoline all over the White residence. Based on the flash-forwards we’ve seen this season it appears that the house is absent of any kind of fire damage but even if a match is never lit, it’s still a great “what the heck is going to happen” next moment for an episode to end on.

(**) Eskimos bitch!

Other moments of note:
  • Theory Time: Since the house doesn’t burn down something, or someone is going to have to prevent Jesse from doing it. Based on the fact that there are five episodes left I don’t think it will be Walt because I don’t think the show would kill off Jesse with 4 full episodes left (although who knows at this rate) and considering the frame of mind of the two characters right now there would almost certainly be a fatality coming out of that confrontation. So I’m guessing Walt Jr. comes waltzing into the house right before Jesse is about to put it up in flames, thus leading to Jesse freaking out at the idea of another innocent person getting hurt and simply give Junior a message saying that “his Dad’s days are numbered” or something along those lines, opening the door for Junior to lose his appetite for breakfast after discovering his Dad’s secret life.
  • Really great opening scene with Todd and his outlaw family enjoying a little breakfast at the Route 66 Diner. The cinematography of the scene was really fun (and very Tarantino-esque) and did a great job of whetting our appetites for what is to come between Walt and this rag-tag band of meth cookers. Also, funny how Todd left out a pretty pivotal part about the end of that train heist story…
  • Very cool how the show continues to repeat actions of the past in very different contexts. This time it’s Walt stating at the beginning of his confession tape his full name and his address in the exact same way he did in the pilot when he thought he was going to be arrested by the police.
  • “Oh Jesus. It’s always the desert.” – So true Saul. You have to appreciate that the best drama on television can make self-aware jokes about itself.
  • That guy who works in Hank’s office has the coolest mustache of all time: http://www.newscastic.com/news/the-man-behind-that-breaking-bad-mustache-817728/


What did everyone else think? Comments are always welcome.

Monday, August 12, 2013

Breaking Bad: ‘Blood Money’


"If that’s true, if you don’t know who I am, then maybe your best course would be to tread lightly.” – Walter White

Can any show, nay, any thing live up to hype it creates in the way that Breaking Bad can? It’s hard enough to be off the air for a year, get the pieces in place to set up the final act, and keep it exciting. But it’s a completely different league that Vince Gilligan and company are playing when in their 55th hour they are able to produce one their finest segments to date. 'Blood Money' continued with the tradition that Breaking Bad has established in wowing the viewers and giving them exactly what they want before they even necessarily know what that is.

In so many ways this was a ‘greatest hits’ version of the show. We literally saw some of the highlights of Walt’s past as part of the very fun montage(*) that had Hank assembling all the evidence he ever had revolving around this mysterious and very dangerous Heisenberg character. Plus, we got to revisit many familiar scenes but with new context: the cancer returning for Walt, Jesse hitting rock bottom for a third time, Jesse being lied to by Walt for a five-hundred gagilionth time, and even one more silly Badger and Skinny Pete rant(**) to give Jesse something to zone-out to.

(*) Set to the song ‘Wordmule’ by Jim White: http://www.youtube.com/watch?v=fijzo90Wznc

(**) Which someone has already made an animated video of http://www.youtube.com/watch?v=fZvMAKeaEyo  I think JJ Abrams just found his writer for Star Trek III.

I won’t go any further though without discussing what transpired in the final five or so minutes where Walt and Hank have a confrontation that’s been coming ever since Walt gave Jesse some money to buy an RV. The fallout of Hank’s new knowledge is obviously going to be a driving point for a large chunk of the season as he has to weigh the benefits of turning in the most wanted man in the drug business versus destroying his family and possibly career in order for a dying man to get his justice. Theory Time: Since we have flash forward footage of a decrepit White house with ‘Heisenberg’ graffiti  painted on it, it’s safe to assume Walter has been found out by the general public. If Hank wants to get solid evidence put on Walt, which would put him in this situation, it would certainly help his case to enlist someone who was there to witness it all… a Jesse Pinkman perhaps? And it’s certainly possible Walt would want a way of disposing of such a key witness and make sure it looks like an accident…. if only he had a poison capsule of some kind…

Speaking of Jesse, can we just all give this guy a collective hug? This now marks the third time his self-conscious has bottomed-out because of the actions brought on by his former high school chemistry teacher. First it was losing his girlfriend Jane because of Walt’s negligence, and then it was after he was forced to shoot Gale Boetticher to save them, and of course now it’s the current guilt of living with the fact that Todd
shot down a kid because he was a witness to their crime. So when Walt comes back into his life telling him that he can’t even give this “blood money” back to innocent people, and when he tells him a bold faced lie about the fate of their former colleague Mike, it was the straw that broke the camel’s back. There are going to be more than a couple of people curious about this Robin Hood-esque character throwing away hundreds of thousands of dollars and Walt know the last thing the two of them need is more eyes looking at their direction.

I can’t believe we only seven more installments with this crew and this story but I have absolutely no doubt that it will be fantastic. Time after time Breaking Bad has given us intense moments when they call for them and they don’t leave anything on the table. Sure, they could have undoubtedly stretched this over 7 or 8 seasons, gotten bigger paychecks, more syndication rights, but instead they chose to avoid any lulls and went right for the throat. Just like Heisenberg would want it.

Other moments of note:
  • Dean Norris absolutely nailed it in this one. I know the campaigns for him finally getting an Emmy nod for Hank are starting up but this seriously needs to happen. His panic attack after discovering Gale’s book in Walt’s house was terrifying and the look of horror and despair on his face as he closes the garage door was perfect acting.
  • Great touch to have Marie calling Walt ‘The Devil’ as Hank opens the sliding glass door after taking one of the most pivotal dumps of all-time.
  • Brian Cranston actually directed this episode, so I guess he’s kind of a talented individual?
  • Skyler had a very strong moment by telling off Lydia at the carwash. I’ve never been the biggest fan of the character but it was nice seeing her do something redeeming here. Also, you know Walter can’t be very ecstatic to hear his one pristine product is a mere shell of itself these days… could be a “Just when I thought I was out…they keep pulling me back in.” situation.
  • “Hello Carol.”

What did everyone else think? Comments are always welcome.