Showing posts with label Saturday Night Live. Show all posts
Showing posts with label Saturday Night Live. Show all posts

Sunday, November 4, 2012

Saturday Night Live: ‘Louis C.K. with Musical Guest Fun.’

I’m not going to try and pretend I understand what the people in New York and its surround areas are going through right now in the wake of Hurricane Sandy and the destruction it left it behind. But I will say that you’d be hard pressed to find a better host for a live, New York based show that exists mainly to provide laughter for those who need it. Louis C.K. has always been the perfect blend of grace and slop which allows him to be really smart, really real, and really funny. A lot of people will argue that Louis is the best stand-up working right now, of which I agree, but hosting a live variety show is something we haven’t seen from him. I’m certainly excited and rooting as hard as I have ever have for a host to absolutely nail their performance. Go get em’ Louis.

Hurricane Sandy Press Conference
There was certainly no way to avoid doing a hurricane Sandy sketch considering the national attention it’s gotten over the past week. The tough part is trying to make a natural disaster funny. Mayor Bloomberg’s sign language interpreter was a good target considering her ability to sign so enthusiastically earned her plenty of recent internet fame including her very own Tumblr page. Following that up we got Chris Christie expressing his thoughts on the hurricane along with his New Jersey-style interpreter who added the Jersey stereotype gestures to her signing. Also, I thoroughly enjoyed Fred Armisen’s delivery of the line “Los blancos amore Homeland.” Pretty solid cold open, glad they didn’t take up too much time with it knowing they had Louis C.K. in waiting and didn’t have to use the open to kill some time like they’ve had to do with weaker hosts earlier in the season. Grade: B

Monologue
Louis C.K. comes out in his classic black pants and black golf shirt. Wouldn’t want Louis any other way. This was clearly a case of the SNL writers telling Louis to just do your thing man as the entirety of his monologue is him doing stand-up about a recent event that happened in his life.
Louis tells the comedic story about how he was forced to be the one who helped up an old lady who had fallen down at the airport and how difficult it was for her to stand back up: “What are you a baby deer? Just stand.” Then, to his dismay, she then requires further help from him to find her gate. His response is: “I have to help her. I’ve already been kind. I can’t switch now.” Ah, I think I could listen to him describing foreign old ladies for the rest of my life. Really fun start and apart from the way he says the word “ell-ectricity” I totally approve of the monologue. Grade: A

Fox and Friends
This has been one of the best recurring skits of late, thanks in large part to Bobby Moynihan being so funny playing Brian Kilmeade. Him playing the innocent moron is definitely tapping into Brick Tamblyn territory and it’s fantastic. Donald Trump is the show’s special guest this week played by Jason Sudeikis and he comes bearing some pivotal election information: “I have it on good authority that President Obama has been texting Abu Nizar, Jafaar, and the Riddler.” Louis shows up with some real warnings related to the hurricane and to throw away food perishables, but as Taran Killan explains: “It’s better to drink spoiled milk then no milk at all.” They also ran their show’s fact checker corrections and the only one I initially caught was “trees do not have bones.” Grade: A-

Lincoln
The bar that was already set high with “Sad Mouse” for the new SNL digital shorts that will not actually be called “digital shorts.” But damnit if Lincoln didn’t just blow it out of the water. In one spectacular meta joke we get to see Louis C.K. playing Abraham Lincoln, playing Louis. They were able to recreate the “Louis” opening credits to a tee, this time with C.K. dressed as Lincoln as he goes about climbing up the subway steps and eating ¾ of his pizza before running to do his stand-up set. And Only Abraham Louicoln would have the depressing self-awareness to feel bad for the detective who will have to solve his inevitable murder. You’ve got competition Daniel Day-Lewis. Grade: A+

Australian Screen Legend
The most honest and passionate love scene in Australian cinema.
Fred Armisen hosts this Australian version of Masterpiece Theatre in which he looks at some of “best” scenes that have occurred over the great and illustrious history of Australian film. Kate McKinnon plays Tess Davies and Bill Hader plays Graham Dixon. Louis shows up later and plays John Chisholm who, after Tess’ character has been killed off, becomes intimate with Graham Dixon in “On the Bluffs,” the story of forbidden love. It’s that rare shot taken at Australia that we don’t see enough but the jokes weren’t there on this one. Grade: C-

Musical Break Number One
Fun. decided to go with “Some Nights” as their first song and it just not there. I don’t know if the sound was off or what but it didn’t sound right and was far from enjoyable. I feel like if you call your band “Fun.” it automatically set you up for the “more like anything but fun” hack joke so I won’t make it. Yet. Grade: D

Weekend Update
The biggest headline hit was in reference to Mayor Bloomberg’s remarks on the subway system being down because of Hurricane Sandy: “The subway will be up and running at full capacity. Which would be amazing considering it’s never happened before. Then they take the opportunity to pepper in some politics here before the election with Sudeikis coming in as Romney for a few fluff jokes. The next guest is Aidy Bryant as Courtney Barnes who is a social media “expert.” It’s been a long time coming for these people to be made fun of and it allowed for us to be shown this very important political tweet: “Vegetables suck and ice cream rules” sent from the account of Joe Biden. The girl you wish you hadn’t started a conversation with at a party appears as the third guest and gets played by Cecily Strong. She explains, or attempts to, her views on politics and how put off she is by, well, everything. I can definitely see this being a recurring character going forward. Fairly strong weekend update, but considering there were three guests, none of which played by Louis, I was a little disappointed. Grade: A-

Mountain Pass of Zog
Well that explains why Louis wasn’t in Weekend Update, probably took a little while to get into costume. To Louis’ amusement, they aren’t quite able to get the timing right on the act of blowing the horn and using the sound they have prerecorded for it. The whole sketch turns out to be a long joke about how Louis had been mispronouncing the name Zorn as Zog and at the end he goes on his merry way after delivering the crystal that will save his life. Certainly not the best sketch of the night. It kind of felt like they had the idea for a scene and wanted to do a farce of fantasy worlds and they came up with the premise later. Grade: D+

Hotel Check Out
“This is why it’s very important to double check the bill.” I liked this sketch enough that I’m glad they did it. This could have been a scene right out of Louis too, only he would the guy checking out, some sad and somber music would start playing as Louis’ life crumbles around him when he realizes he doesn’t have enough money to pay for all these mistaken charges but if he doesn’t leave now he’ll miss a potential career changing opportunity. This sketch, however, is much more upbeat and we get to have some laughs at the lunacy we now endure from hotels and the likes. Grade: C+

Musical Break Number Two
This time going with “Carry On.”  When will musical guests learn that slow songs usually don’t transfer well to the stage of Saturday Night Live? I thought Carry On was better than their rendition of “Some Nights,” but I just thought it felt out of place, especially after Louis came back from a commercial break clearly having joking around with the audience members. Based on the way some of them were sitting, I’m assuming he was discussing with them whether or not they should actually look backward awkwardly at the camera while he introduced Fun. again.
If it had been me making the song picks I would have gone with “Pretty Girls” for song number one, it’s actually a fun song like the band’s name suggests and the lyrics talk about being Saturday Night for petesake! And then you have to go with the song that got you here with “We are Young” and see if you  can get Janelle Monae to show up to help out. Grade: C

Last Call at Donnelly’s
It’s “you don’t have to go home but you can’t stay here time” at Donnelly’s pub in which Louis and Kate McKinnon are the final two bar patrons of the bar run by Kenan Thompson. They engage in nonsense drunk talk and are able to make connections between the two of them for every aspect of their lives including what they think are very similar meals: “What did you have for lunch today? Same time… Baby food, Candy Corn.” Kenan Thompson plays a great straight man throughout the sketch and does an excellent job of showing the disgust we were all feeling when the two engage in a kiss involving way too much tongue. Grade: B+

Final Thoughts
Overall I was satisfied with the episode and there were a few really great moments. I wish they had done a little more politically related such as Romney collecting food in Ohio and Louis plays some kind of average citizen that questions where it’s going and it’s hinted at that Mitt is keeping all of it himself… I don’t know there’s something there. Also, I think they should have done something with the new Disney/Star wars merger and the announcement of the movie which could have replaced the weak “Mountain Pass” sketch. But of course I’m nitpicking. Next week we get Anne Hathaway with musical guest Rihanna. My hopes aren't high but we’ll see.

What did everyone else think? Comments are always welcome.

Sunday, October 21, 2012

Saturday Night Live: “Bruno Mars”

I’m making an attempt to review a Saturday Night Episode so I’m going to preface this, similar to how Bruno Mars did in his monologue, by stating that I’m a little out of my element here. Although SNL is considered a TV show, it’s a whole different ballgame critiquing a structured, scripted show than it is to critique a collaboration of funny sketches and musical performances. So we’ll see how this goes and decide later if this should be a recurring segment.

Tonight we get double duty from Bruno Mars as he is both the host and musical guest. I don’t know a ton about Bruno going into this episode other than I've heard 6 or 7 of his songs and seen a couple of his music videos. Personally I’m not a fan of his but not so much in a way that I oppose everything he does. I’m just hoping SNL has enough wherewithal though to not put someone out there that can’t do anything comically.

Sketch One: Town Hall

We’re leading off, of course, with the town hall debate that took place on Tuesday. And also as predicted the undecided voters of New York are going to be the driving force of most of the jokes. This poor Jeremy kid gets poked at one more time, this time by Fred Armisen playing a 38 year old version of him. We get a great moment when Jay Pharoah’s Barack Obama asks: “Candy is he bothering you?” as Jason Sudekis’ Mitt Romney insists on talking about four more things. This is followed up by Taran Killam standing up and shouting: “Let me at him Dad.” And Mitt responding: “Sit down Tagg. Not now.” Then we get a superb surprise guest appearance from the great Tom Hanks and he asks his deeply profound and well thought out question: “Libya?” The debate escalates as Governor Romney hilariously begins pushing President Obama as he’s trying to speak. All in all I’d say they did a pretty good job with it, but I think there was some more untapped potential they didn't quite hit.
Grade: B

Monologue

Bruno at least makes it clear he doesn't deserve to be the host based on his lack of doing anything comedy or acting related. Make that blatantly clear. He breaks into song and dance about how unsure he is about performing on Saturday Night Live as host and at this point all this opening song is doing for me is reassuring my huge doubts that Bruno Mars should be doing just that. One lyric of the song actually relates this outing to that of Justin Timberlake who has also pulled double duty recently. You’re not even close to that status yet Bruno so stop putting the cart before the horse. Rough start here.
Grade: D-

Brad Pitt Commercials

There ended up being four Brad Pitt commercials for various products but I’m going to sum them all up here. I really love Taran Killam’s Brad Pitt so much and this was a fantastic way to incorporate that character. His first commercial is for Chanel Cologne where he describes it as “Pitt-ilicious.” Next up is the story of how Brad Pitt travelled across a seemingly endless desert to arrive at Taco Bell, home of the eloquent Dorito’s Loco Taco. Thirdly, Pitt is selling us “Dog Condoms” because our pets have every right to be freaky if they want to be. And finally, we see that Brad must be really hard up for some cash because he is now endorsing local tattoo remover: Doctor Zizmor.
Grade: B+

Sketch Two: Haters with Sunny Taylor Tompkins

“Don’t you boo me.” Bobby Moyhinan legitimately gets better every episode he’s on. “They are haters and they don’t know how to process all of this.” Says Moynihan as he’s points to his rump while dressed in drag. From this point on the sketch takes a big nose drive as the spoof of your typical trashy talk show doesn't have enough meat at its core to carry the side jokes. Also lets face it, it’s not much of a stretch having Bruno pull off looking like a woman…

Yikes
Grade: D+

Sketch Three: Pandora Radio

I really like the premise of this sketch. The power has gone down at the Pandora headquarters and some of the specific channels are going out one by one. The only person that can save the day is the intern Devin (Bruno Mars). Sudekis looks square in the eye and states: “Pandora is counting on you right now.” After that though it gets pretty light on humor and relies on Bruno having fun singing the songs for a wide array of different artists. Not the greatest sketch ever but at least they had a lot of fun with it.
Grade: B-

Sad Mouse

This had a very similar feel to it as the Digital Shorts. We see Bruno Mars playing a guy down on his luck and takes a job as a costumed mouse who has to wave at people on the street. I kind of really liked this, a lot. It had a weird, brilliant feel to it and I hope this is the new thing SNL does by making these little indie movie-like shorts. Plus it has a beautiful ending as Sad Mouse gets to find love with Sad Frog. Amazing!
Grade: A+

Music Break Number One

Bruno Mars sings “Locked out of Paradise” from his new album.
Tough to judge because I’m not a very big fan of Bruno so I’m a little biased. I will say that I’m glad he went with a highly upbeat song to keep the audience in it. Too often of late we've seen the musical performers pay a slow or deep song that kind of drains the crowd for the rest of the night.
Grade: C+

Weekend Update

Most of the jokes hit here like they usually do on Weekend Update however I was caught a little off guard by the sketchy joke about candidate’s skin color among rural voters. Something just wasn't right there and you could tell by the audience’s reaction as well. We also got a segment of great “Debate Do’s and Don’ts” which gave way to a rare Ruben Studdard reference. My favorite headline was for a new product that relieves the pain from burning your tongue or the roof of your mouth and as Seth Myers explains it as: “Finally a scientific alternative to WAITING A MINUTE!” And then. Making his first appearance of the season. Our favorite correspondent. Stefon! The gift that keeps on giving. Bill Hader completely lost it this time making the sketch even more hysterical. I’m so very happy. That had to have been the longest Stefon sketch to date and I’m not complaining.
Grade: A

Sketch Four: Merryville Haunted Castle

As a couple gets stuck on a carnival ride they slowly begin to realize that the singing robots may be alive and seeking their lives. Good idea to use Bruno in a sketch where he doesn’t have to talk as he plays one of the Merryville Brothers. And the robotic brothers really do creep me out in these sketches. This one also get the added of bonus Tom Hanks. He’s back. Robot Tom Hanks Trying to feel-up a girl is just hilarious. I don’t care who you are.
Grade: A

Sketch Five: Yeti Point

Too much Bruno here. The dramatic stare at the camera didn’t work from the start. The ending with Hader eventually being serenaded by our Yeti friend was the only salvation in this sketch gone wrong.
Grade: D-

Musical Break Number 2

Bruno Mars sings another new song “Young Girls” (I think that’s the name of the song) as we near the end of the show.
Like I said before, I don’t think he’s an atrocity to the music industry like many of the other big Pop performers of today, but he’s just not my guy.
Grade: C+

Under-underground Records

The final segment of the night is another addition of Under-underground Records, this time the “Donkey Punch the Ballot” edition. We get tons of great references here and funny combination names for people and places associated with politics and hip-hop.
Grade: A

I’d say that ended up being a pretty excellent episode for host Bruno Mars and musical guest Bruno Mars. The addition of Tom Hanks certainly didn't hurt but I wouldn't be opposed to Bruno getting another shot in the future.

First Saturday Night Live review is over! And that took forever. If I’m going to do more of these in the future I’ll have to figure out how to shorten them. Until then, SNL returns November 3 and it could be really great. Louis C.K. is hosting with musical guest Fun.

What did you guys think? Comments are always welcome.