Showing posts with label Brooklyn Nine-Nine. Show all posts
Showing posts with label Brooklyn Nine-Nine. Show all posts

Saturday, February 1, 2014

10 Great Shows Lacking Viewership

Hello Something About TVers (that really rolls off the tongue). I was taking a look at some television ratings lately and, as usual, I was completely disappointed in the shows that get boatloads of viewers compared to much higher quality shows. So, here’s my list of some of the best shows currently on the air that struggle for viewership while Two and a Half Men is still running rampant:

1. Justified (FX)

I can’t recommend Justified nearly enough and for anyone looking to replace their Breaking Bad fix, this is the show you want. Currently on its fifth season, it’s the story of Raylan Givens (played by Timothy Olyphant), a U.S. Marshall who is as much sarcastic as he is a badass. The story begins when he gets relocated back to his home town of Harlan County where most of the citizens have grown accustomed to minimal interference with lawmakers. It’s also home to Boyd Crowder (Walton Goggins) who is the constant foil to Raylan and is known for using every word in the dictionary. Boyd really separates Justified from other dramas because we get to follow the side story of him building his crime empire with stories that are interspersed with Raylan.

2. Brooklyn Nine-Nine (FOX)
Nine-Nine has really excelled in its first season and has avoided any really bad episodes. Led by Andy Samberg, Terry Crews, and Andre Bruagher, the show has a fantastic cast with a lots of actors who know their way around a joke. Taking place in a police station sets up for some hilarious storylines as they are constantly taking serious police stories and telling them from a more comedic angle. The ratings have been rough but critical praise should get it a second season at this point. There’s going to be a new episode following the Super Bowl and post-Bowl episodes of shows tend to have an easy to follow storyline for new viewers if you want to hop on the train.

3. Parenthood (NBC)
I can’t praise Parenthood enough for showing so simple things that families go through. It follows the story of the Bravermans (Bravermen?), 4 adult siblings that all have families of their own with different types of dynamics. It’s loosely based off the Steve Martin film by the same name and was adapted for television by Jason Katims, the same guy who did Friday Night Lights. Currently in its fifth season, it’s become a staple that you’re in for a good cry at least once per episode.

4. Parks and Recreation/Community (NBC)
At first glance you may be wondering why I included these two, especially considering all the memes that circulate on imgur from the shows, but year after year these shows are on the bubble of being cancelled. In fact, both shows combined don’t even equate to half the number of viewers Big Bang Theory gets. Both shows are getting up there in age but unlike many sitcoms they can still churn out fresh stories and bring big laughs when done right. Not to mention that the return of Dan Harmon has really invigorated Community in its current season.

5. The Americans (FX)
If you’re looking for a good spy thriller this is the show for you. The only thing is you find yourself rooting for KGB during the Cold War. It follows the lives Elizabeth (Kerri Russell) and Phillip (Matthew Rhys) who appear to be your average American family with two kids, but are instead cold hard Russian killers who have infiltrated the US to get information on what America is planning. As an added obstacle, their new neighbor coincidentally is an FBI agent (Noah Emmerich) who gives perspective on the other side of the story. The show really struggled for viewers in its first season but was able to scratch out a second season which premieres Feb 26.

6. Girls (HBO)
Created by and starring Lena Dunham, this is probably the most controversial show on the list as it really polarizes people who watch it. While I can’t argue with people who don’t like it, I do find it a very interesting watch. It essentially follows the lives of four 20-something girls who try to make it in New York. The problem is that for the most part they’re pretty terrible people who are in no way aware of their pretentiousness. All I can say here is give it a chance for a few episodes but if it isn’t for you then it isn’t for you.

7. Orange is the New Black (Netflix)
I’m actually not sure if this show doesn’t get many viewers because Netflix doesn’t release that information. However, most of the buzz around Netflix originals circles around House of Cards and season 4 of Arrested Development and OITNB is even better than those two. It’s dark, depressing, heart-warming, and at times hilarious as it gives us a look inside a women’s prison. It’s done an absolutely fantastic job of building strong characters and making us feel connected in some way to all of them.

8. Game of Thrones (HBO)
What!? Everyone watches this show! Yeah everyone does watch it but that’s because it’s the most pirated show on television. It still gets high ratings but that’s not nearly as representative as what it could get. I don’t want to get up too high on a soap box but this show is ridiculously expensive to produce, between a huge cast and greatly detailed wardrobes and environments. I know it’s hard to justify doling the money out but if you enjoy something of high quality, and want it to stay that way, then it may be something to consider.

9. Cougar Town (TBS)
Everyone wrote this show off based off the title (in fact that’s becoming a running meta joke on the show) but don’t let that sway you away from watching it. Created by Bill Lawrence and starring Courtney Cox, there are constantly guest stars showing up from Scrubs and Friends. ABC actually cancelled the show but TBS decided to save it (unfortunately they couldn’t do the same for Happy Endings, RIP) and its’ maintained the same level of laughs since switching networks. If you start from the beginning, the show doesn’t find itself until halfway through the first season but it doesn’t look back after that. Also, Penny Can!

10. Mad Men (AMC)
Ah, the best for last. Now that Breaking Bad is off the air I consider Mad Men to be the best drama on television, heck before Bad’s final eight episodes I could argue they rivaled for that spot. With one season remaining (Broken into two parts like the last season of Breaking Bad) it still remains the best written show on television and Don Draper (Jon Hamm) is still the man you love to hate. For those unfamiliar with the story, it follows the advertisement world in the 1960’s and the lives of the men and women who work within that world. Between Draper, Pete Campbell, Peggy Olsen, and Roger Sterling it may have the most well developed cast of characters on television.

Honorable mentions to Hannibal, Trophy Wife, and Portlandia which could have easily made the list. Any shows I left off? Let me know in that comment section below.

Sunday, January 12, 2014

2014 Golden Globes Live Blog

Once again Tina Fey and Amy Poehler are hosting the award show with the globes that are golden, ensuring that NBC will get at least a few more viewers who appreciate good comedy will watch. As always, the nominees for most of the larger categories are ridiculous (I’m looking at you Liev Schreiber for Ray Donovan) but hopefully at least a few deserving nominees will come away with the award. And if they don’t? Well I’ll just rant about it here.

The monologue begins with a greeting of “good evening to all the women and gay men watching at home.” I’ll try to hit on some of the best jokes. Tam Hunks is here as Amy apparently knew she was going to mess up on that difficult name to remember and pronounce. Tina speaking to Matt Damon: “Matt on every other night, in any other room, you would be a big deal, but tonight you’re just a garbage person.” ‘Explosion at the Wig Factory’ was the original title for American Hustle. Amy Poehler asks the cameras to get a shot of Amy Poehler and they cut to Jennifer Lawrence who has a good laugh about it. Tina describes Gravity as: “It’s the story of how George Clooney would rather float away into space and die then send one more moment with a woman his own age.” Poehler should make impersonating Scarlett Johansson her job as she tries to convince Tina that she was the voice of the computer in Her. Tom Hanks is still wearing his prosthetic genitals he got from Saving Mr. Banks.

Sandra Bullock and Tam Hunks present the first award of the evening for Best Performance by an Actress in a Supporting Role in a Motion Picture. In what comes as little surprise, Jennifer Lawrence comes away with the award for American Hustle and immediately thanks director David O. Russell for making her career what it is. As always she comes across as sweet and humble and yadda, yadda, yadda we all love her.

Dancing on the Edge (2013)Channing Tatum and Mila Kunis present the second award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television and Jacqueline Bisset for Dancing on the Edge. She appears to be genuinely shocked, possibly drunk, as she accept the award. The music does its best to play her off but she Jacqueline isn’t having it. After a bit of swearing she finally gets around to thanking her friends and family. Unfortunately she probably just cost Tina and Amy a couple of jokes to fit the time constraint but wow that was something to watch. 

Next up in the “no surprise whatsoever category” is Behind the Candelabra winning for Best Mini-Series or Motion Picture Made for Television. Yay? Getting another of the mini-series awards out of the way, Elizabeth Moss wins Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television for Top of the Lake. I haven’t seen TOL yet but I’m just going to go ahead and view this as a win for Peggy.

Fey and Poehler are back out and thanking the Associated Press for putting the whole event together, along with a bunch of ridiculously hard to pronounce names from the Foreign Press. Jonah Hill and Margot Robbie are out to introduce The Wolf of Wall Street but they’re accidentally given the wrong teleprompter lines, Margot adorably doesn’t want to improvise so someone is nice enough to bring out a paper with the right words on it. Aaron Eckhart and Paula Patton (wearing a comforter?) are out to give the award for Best Performance by an Actor in a Television Series - Drama. The award appropriately goes to Bryan Cranston for Breaking Bad. Heisenberg getting his damn recognition! Get back on up there Cranston, Breaking Bad wins for Best Television Drama and all remains right in the world. Actually, I can’t complain about any of the award selections so far.

Philomena is a real person? Did not know that. Kate Beckinsdale, P-Diddy and Usher are out to present Best Original Score for a Motion Picture with the winner being Alex Ebert and his hair for All is Lost. Haven’t seen the movie yet but I’m happy for Roger’s son. Best Original Song for a Motion Picture goes to ‘Ordinary Love’ for Mandela. Great, all Bono needs is something else to pump up his ego…

Amber Heard and the interchangeable Chicago Fire hunks are out to present Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television. Jon Voight unfortunately comes away with the award for Ray Donovan. Not a fan of Voight and very much not a fan of Donovan but hey they can’t get all the awards right…oh wait they can? Well, that’s a bummer. Robert Downey Jr. arrives to join the fun and he announces that no matter what name he calls from this envelope, he’ll leave tonight as a winner. Amy Adams very deservingly wins Best Performance by an Actress in a Motion Picture - Musical or Comedy for American Hustle. Such a fantastic movie and role, glad Amy got her due and that her daughter was able to teach her basic human emotions.

Kevin Bacon and Kyra Sedgwick the Entertainer are the next presenters. Does Kevin Bacon have to do a six degrees joke every time he’s out in public now? Their daughter Sophie Bacon joins them and Tina Fey has brought her adult son Randy along too. Randy, played by Poehler, hilariously asks if Idris Elba is his real Dad. Robin Wright wins Best Performance by an Actress in a Television Series – Drama for House of Cards. She calls the Foreign Press a gaggle of characters and references Merrit Weaver’s great speech before heading off stage. Jim Carrey comes out and gives Shia LaBeouf a jab by making a plagiarism joke. After a clip of American Hustle Christoph Waltz is out to present the Best Performance by an Actor in a Supporting Role in a Motion Picture and it goes to Jared Leto for his very transformative role in Dallas Buyers Club. If it’s body changing that is swaying the voters this year then that bodes well for Christian Bale and Matthew McConaghey.

Emma Thompson, who can probably do no wrong, comes out holding her heels and a glass of wine to present the award for Best Screenplay. Spike Jonze wins for Her; I want to see this movie so very bad. Julie Bowen and Seth Myers are out to present the award for Best Actor in a Comedy Series with the award going to Andy Samberg. I’m genuinely shocked but really happy Brooklyn Nine-Nine is getting some recognition. Hopefully this will all but assuredly lock the show into getting picked up for a second season.

Right out of commercial we get the winner for Best Foreign Language Film and The Great Beauty wins. The director pretty much does part two of the bit where Tina and my start listing off a bunch of insanely difficult names to pronounce. Poehler and Fey come back out to point out that Julia Louise Dreyfus has returned to the television section, now eating a hot dog. Melissa McCarthy and Jimmy Fallon are the next presenters, unfortunately a sandbag fell on Melissa’s head and she now thinks she’s Matt Damon. Michael Douglass wins Best Performance by an Actor in a Mini-Series for Television or Something Like That for Behind the Candelabra. Congrats Douglass, but we don’t need the “cool guy pointing out hi other cool guy buddies” thing in your acceptance speech. You’re not a middle-schooler who just won for class treasurer.  


The award for Best Animated Feature Film and Frozen takes home the glory. Emilia Clarke and Chris O’Donnell are presenting the award for Best Actress in a Comedy and finally, FINALLY!, Amy Poehler wins for Leslie Knope on Parks and Recreation. So long overdue, so happy for her. Hopefully the Emmys learn something from this and recognize her performance this year as well.

Emma Stone, who will be in Woody Allen’s next film, comes out to introduce the clips from Woody Allen’s 74 movies. Diane Keaton appropriately takes the stage to accept the Cecil B. DeMille Lifetime Achievement Award for Woody. She gives a great Woody quote about how art can only truly measured by how impactful it is in the moment. Verging on the edge of creepy territory she sings a song about how she and Woody are friends forever, but she clearly had good intentions and did well by Allen.

Ben Affleck, last year’s winner for Best Director, is out to present the award to Alfonso Cuaron for Gravity.  It’s tough to argue this one as the directing had to be spot on for such an image-driven film. Gravity wasn’t the best movie of the year but Cuaron deserves the win for putting the spectacle together. Also, thanks to Sandra Bullock for not quitting the film after he threatened to give her herpes. "Michael Bay described our next presenters as... oh, um, sorry, can't do this." -Tina Fey. Chris Evans and Uma Thurman are next out of the gate, Best Comedy Series goes to Brooklyn Nine-Nine. Wow did anyone see this coming? If this doesn’t guarantee a second season I don’t know what will.

Two-time Golden Globe winner Jennifer Lawrence get to present the award for Best Actor in a Comedy and it goes to Leonardo DiCaprio for The Wolf of Wall Street. He pokes fun at the fact that he, and other very serious actors, are nominated in the “comedy” category because let’s face it, the Globes do it just so they can get more people to come to their little party. In related news, Leo still doesn’t have that Oscar.

Chris Hemsworth and some old racing dude (Nicky Lauda) take the stage to present a clip of Rush. Following them, Drew Barrymore comes out in her finest Easter dress to present the award for Best “Comedy” or Musical Motion Picture. The Golden Globe goes to American Hustle. I spoke earlier when Adams won for best supporting actress but this movie was easily my favorite of the year and it was certainly worthy of the win.

With 16 minutes remaining before 11:00, it’s looking like we’re going to be over on time. Leonardo returns to the stage to give Cate Blanchett the award for Best Performance by an Actress in a Motion Picture – Drama for her role in Blue Jasmine. Cate thought the Magic Castle was weird compared to this, good thing she didn’t let Tobias Funke take her there. Jessica Chastain gets to give out the award for Best Performance by an Actor in a Drama Series and McConaughey is going home a winner. Those Foreign Press guys love their weight-loss AIDS movies. Always fun to hear McConaughey do a Matthew McConaughey impersonation. And apparently he does a Borat “my wife” impression too.

The final award for the night is of course Best Motion Picture – Drama. Johnny Depp gets the honors to deliver the coveted award that doesn’t necessarily mean you’ll win Best Picture at the Academy Awards but is usually a pretty good indicator. In a tone that suggests he’d rather be watching a documentary about how paper plates are made, Depp announces the winner is 12 Years a Slave, which would also be my choice and prediction for The Oscars. It’s got everything you’d expect out of a “best picture” and it was brilliant to watch s no complaints here.

All-in-all I thought it was a much better than average Golden Globes. Tina Fey and Amy Poehler crushed it in the monologue and probably the biggest qualm I can gather is that there wasn’t more of them throughout the show. As far as the awards themselves go there were certainly a few that weren’t perfect but hey, at least Liev didn’t win for playing Ray. They finished on time and with the end of the show comes the end of my live-blog, thanks for reading it everyone! 

Wednesday, January 8, 2014

Brooklyn Nine-Nine: ‘Pontiac Bandit’

It’s been a very strong freshman season for Brooklyn Nine-Nine. At its core, it’s a workplace comedy which we’ve seen hundreds of times over, but the fact that it takes place in the police world brings so many fresh flavors. Any “serious” plot from a crime show or cop procedural that have taken place countless times over the years can be flipped into the whacky world where The Nine-Nine chase around crazy characters and it fits.

For instance, what may have been an arc about a cop who has been trying to find a criminal that they have been chasing for years, turns into a fun story about how Jake Peralta can never locate this allusive Pontiac Bandit he’s been searching for. In addition to the promising plot, Craig Robinson guest stars as said bandit and is immediately a welcome addition to the cast. Every scene he was in, he played off really well with Andy Samberg and Stephanie Beatriz and, thankfully, the writers wisely leave the door open for a return(s) from Doug Judy. Another great part of the story was the pairing of Peralta and Rosa and we got a sense of their backstory with the “1000 pushups” guarantee.

Back at the station, the rest of the ensemble was interwoven amongst two very enjoyable B and C stories. The catalyst was how the gang slowly began to turn on Boyle after he returned from his injury of being shot in the buttocks, the best gag coming out of it being when Terry was forced to literally pick him up and shake him so he Boyle could use the urinal. I also continue to find Gina’s sense of the world charming as she leaves a “Gone Leavin” sign on her desk; she’s essentially what the offspring of Tom Haverford and April Ludgate would be.

Andre Braugher continues to show that deadpan humor can be the funniest. Anything involving him trying to get others at the station to adopt the puppies was gold. And after finding out Gina was live-tweeting (an act he no longer approves of since Downton Abbey was spoiled for him) the unit hiding from Boyle, it was nice, albeit predictable, moment when he decided the puppies would be best for Boyle. An all-around strong episode and hopefully the show will close out its first season with more to come like this.

Other moments of note:
  • “He’s stolen 230 that I know of. The real number could be in the millions.”…. “Do you need a math tutor? Because the department will provide one for you.” I will never grow tired of The Captain’s deadpan delivery in response to Peralta.
  • “Why stop there? Why not tell her you’re an astronaut?” – Rosa … “Because space is scary!” – Doug Judy
  • “This is my personal assistant, Mangy Carl.” – Doug telling his Mom who Peralta was to him.
  • Doug Judy helps down on their luck white people.
  • “What about choppas? You got choppas?” – Doug. Damn Robinson was on fire this episode.
  • “Please get out of my way, I’m physically disabled.”  Robot voice on Boyle’s scooter